darksilenceinsuburbia:

Andrea Kowch

1. In Silence Known

2. The Watch

3. Far Away

4. Light Keepers

5. Dream Chaser

1,070 notes

ghoulnextdoor:

chimera - TIRADE MAGAZINE
PHOTOGRAPHY — HELEN SOBIRALSKI FASHION — CHRISTINA VAN ZON HAIR & MAKE UP — ALEXIS GSHTRAYN MODEL — JOANNA STACHNIAK @ M4 MODELS ASSITANT — MAGDA DZANASHVILI

ghoulnextdoor:

chimera - TIRADE MAGAZINE

PHOTOGRAPHY — HELEN SOBIRALSKI
FASHION — CHRISTINA VAN ZON
HAIR & MAKE UP — ALEXIS GSHTRAYN
MODEL — JOANNA STACHNIAK @ M4 MODELS
ASSITANT — MAGDA DZANASHVILI

114 notes

back-then:

"Au Jardin Fleuri,"  Constant Puyo 1899

back-then:

"Au Jardin Fleuri,"
Constant Puyo 1899

433 notes

art-yeti:

Edgar Degas, detail from Ballet Dancers in Butterfly Costumes; 1880

art-yeti:

Edgar Degas, detail from Ballet Dancers in Butterfly Costumes; 1880

(Source: the-athenaeum.org)

788 notes

benoitmarielecoin:

« Poussière d’Etoiles » est une série réalisée par le photographe français Ludovic Florent. Il met à l’honneur des danseurs débordant de grâce en y ajoutant de la farine. Les grains de sable accentuent l’effet de mouvement majestueux des chorégraphies.

40 notes


Moonlit Beauties (detail) by Luis Ricardo Falero (1851-1896)
oil on canvas, date unknown 

Moonlit Beauties (detail) by Luis Ricardo Falero (1851-1896)

oil on canvas, date unknown 

(Source: paintingses)

5,999 notes

People will stare. Make it worth their while → Tex Saverio “The Revelation” Haute Couture Collection | 2012

2,204 notes

fashion-runways:

RAMI KADI Un Souffle d’Orient Collection

56,451 notes

Please don’t expect me to always be good and kind and loving. There are times when I will be cold and thoughtless and hard to understand.
 Sylvia Plath  (via ladyfunnybones)

(Source: feellng)

26,261 notes

darksilenceinsuburbia:

Eliza Bennett

A Woman’s Work is Never Done

A series of photographic works titled ‘A Woman’s Work is Never Done’ Using my own hand as a base material, I considered it a canvas upon which I stitched into the top layer of skin using thread to create the appearance of an incredibly work worn hand.  By using the technique of embroidery, which is traditionally employed to represent femininity and applying it to the expression of its opposite, I hope to challenge the pre-conceived notion that ‘women’s work’ is light and easy.  Aiming to represent the effects of hard work arising from employment in low paid ‘ancillary’ jobs, such as cleaning, caring and catering, all traditionally considered to be ‘women’s work’. 

The technique, I recall first applying to my hand under a table during a home economics class in school. I was totally amazed to find that I could pass a needle under the top layers of skin without any pain, only a mild discomfort.  As with many childhood whims it passed and I hadn’t thought any more about it until quite recently when I decided to apply the process to my hand to make it appear calloused and work worn like that of a manual labourer. Some viewers consider the piece to be a feminist protest, for me it’s about human value. After all, there are many men employed in caring, catering, cleaning etc… all jobs traditionally considered to be ‘women’s work’. Such work is invisible in the larger society, with ‘A woman’s work’ I aim to represent it.  (artist statement)

Website

6,892 notes


"Jill" by Nell Brinkley c. 1931 (via)

"Jill" by Nell Brinkley c. 1931 (via)

1,715 notes

tylerknott:

Typewriter Series #848 by Tyler Knott Gregson
*Pre-Order my book, Chasers of the Light, and donate $1 to @TWLOHA and get a free book plate signed by me :)  Click the link in my bio, or go here:  tylerknott.com/chasers*

tylerknott:

Typewriter Series #848 by Tyler Knott Gregson

*Pre-Order my book, Chasers of the Light, and donate $1 to @TWLOHA and get a free book plate signed by me :)  Click the link in my bio, or go here:  tylerknott.com/chasers*

1,160 notes